Posts Tagged 'Gary Panter'

Getting Sketchy with Gary Panter

Satiroplastic

The opening pages of Gary Panter’s Satiroplastic (Drawn & Quarterly, 2005) include sketches made while Panter was in Oaxaca, Mexico. In the introduction to the book Panter explains how the sketches are not chronologically ordered. Each time he did a drawing, he opened the book up haphazardly to a page and began drawing; further evidence of Panter’s random-abstract brilliance.

The sketches in Satiroplastic are in many ways more accessible than Panter’s most popularized classic comics, Jimbo in Purgatory and Jimbo’s Inferno. In fact, his loose line and highly impressionistic responses to his surroundings are an inspiration—they “give permission” to stop worrying and just draw. Compared with other cartoonist-artists who have published work from their sketchbooks (in no particular order, Adrian Tomine, Peter Kuper, Seth, R. Crumb, Chris Ware, Hernandez Brothers), Panter’s sketches are on the whole far less refined—in the best sense of the expression. But then, Panter is…different. And the raw reflections of Panter’s inner world are a welcome change from the more stiff and fastidious approaches of other artists. Continue reading ‘Getting Sketchy with Gary Panter’

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The beauty that is Inkstuds

It didn’t take me this long to read Inkstuds (Conundrum Press, 2010) because I found it tedious; on the contrary, I wanted to savour these interviews and read them in small doses, interspersed with the ongoing consumption of comics—many created by artists featured on the radio show. Kudos to McConnell: with all of the interviews he’s conducted, I don’t know how he decided which ones to put in this volume. I suspect that’s why there’s a “1” on the spine of the book!

In the introduction to Inkstuds, comics scholar Jeet Heer remarks, “McConnell takes a deceptively casual tack, winging his way like a student at an oral exam who is willing to make up for in gusto what he lacks in preparation (6).” This may be especially true when listening to McConnell’s show, but one feature of reading the interviews that I found interesting was how once transcribed on the page, these conversations take on a new life. Now edited, gone are the traces of improvisational filler, instead leaving only a fluid path of ideas. Continue reading ‘The beauty that is Inkstuds’


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