Keeping the Story Alive
Today’s National Post had an interesting article with artist Adam Matak. “Over the past few years, this young Toronto artist has made a name for himself by applying a cartoon style to classy gallery settings.” Matak explains that he began drawing at the age of three, and that when he was young he drew in a style inspired by Disney.
Later, I trained as a printmaker, so when I started getting into painting I brought in that graphic element, too. And I’ve always been interested in trying to create connections between disparate things. I started off doing Greek busts and combining them with graffiti -trying to meld ancient and contemporary art (The National Post, April 4, 2011).
Check out the photo of the Thames Art Gallery space above, with Matak’s cardboard cutout figures, whom he describes as “museum patrons.” Very cool. More examples can be seen on the “Sculptures” tab on Matak’s website. Matak’s “Museum Series” of paintings equally explores the public experience of art, poking fun at how disengaged many viewers may at times appear. But the deeper message concerns what an audience may be missing by not reflecting on the lineage from which art springs, and what we may have to learn from it about ourselves. Continue reading ‘The Art of Difficult Art’